Reading pot codes

About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music. This has nothing to do with what models you choose or how much they cost. Some basic knowledge about the different wood types, neck and body profiles, pickups etc will help you in making the best choice. However, over the last decade or so, the MIMs has gotten a considerable face lift and the overall quality is very high. In fact, the reason why they are cheaper, ha sless to do with quality but rather lower labour costs, cheaper type of laquer and apply methods etc.

Styles of Guitar bridges.

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s:

Nov 07,  · On the neck pocket, I did look and it didn’t have any dating. It was covered in a grey/black material. I can definitely see this being a tele with a 67 neck and 66 pots.

Check and adjust the action at the nut. Measure the high e string and the low E string at the 12th fret by placing a precision ruler on top of the 12th fret. To raise the saddle piece, tighten the setscrew. To lower the saddle piece, loosen the setscrew. Place a radius gauge that corresponds to your fretboard radius on the strings. The gauge should be able to sit on the low and high E strings while touching the middle strings. If the middle strings are higher or lower than the gauge, you will need to adjust the strings’ height relative to the outside strings.

When the gauge is placed on the two outer strings, the rest of the strings should be touching the gauge but not holding it off of the outer strings. For more detailed information about how to set the radius on your guitar strings, please see the how to set the radius on my guitar string page.

Telecaster Guitar Forum

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Find great deals on eBay for fender pots. Shop with confidence.

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.

For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes. I think in the corners of the boxes were older pots remaining from earlier dates

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Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas.

Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.

Emerson Pro CTS Pots. from $ Buy more and save! (87) More Options».

The body is made of highly flamed maple, absolutely gorgeous. And most of all, there is a detail we have never encountered on a Country Club: The sound post connects top and back, giving the guitar a greater rigidity, to avoid feedback problems when played really loud. No heavy dings, no heavy wear. The binding deterioration, so common on ’60 Gretsches, was becoming a real problem on the guitar’s body, since it just could not be stopped in any way. So, instead of keeping on touching it up by replacing the damaged pieces one at a time, we have chosen to ask our luthier Salvatore Mancuso to complety restore it.

The restoration job is just perfect, since Mancuso has used exactly the same material, dimentions and colour of the original binding.

Telecaster Guitar Forum

Plush Gig Bag Case Silkscreen: The Les Paul Deluxe has the 2 mini humbuckers which are sounding just awesome. Furthermore it has an all mahogany body pancake and Mahogany neck. Chrome hardware,rosewood fretboard-cherry finish,an awesome vintage LP Gibson. Condition is good,all works and has all original electronics-frets etc.

The pickups and pots/potentiometers should have close dates to the neck-butt dates ~ then the guitar has a strong possibility to be original & complete (body & neck. Post Strats & Teles should have a neck headstock decal with a serial number that should match one or two white Fender labels on the guitar body, usually underneath the.

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Farmer uses FFS techniques to improve farm.

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If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. If you have any preference over overall look, i.

When I think of lap steels I don’t envision fine woods and expensive cosmetic appointments. No, a lap is a slab of wood with tuners and a pickup.

Dating Vintage Guitars and Amps by Source-Date Code. 03/02/ Return to the Feature Index. Return to the Main Index. On American made vintage gear, the pots and speakers provide an excellent opportunity to date a piece of equipment by referencing their “source-date code”.

Guitar Player December Letters to the editor; Guitaring; Questions; It’s New. VG condition, mailing label on back. VG condition, mail label back cover.. A Pro replies; Rusty Young: Steel symposium; Chuck Rainey:

About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music.

Find great deals on eBay for fender telecaster pots. Shop with confidence.

Dating s Fender Guitars by Neck Code: You may recall that I wrote an article in the March issue of TCG that described my research findings for dating Fender guitars and basses with those whacky green or red ink stamped codes. In , CBS-Fender began to implement a new type of neck stamp in place of the usual date stamp consisting of model code, month, year, neck width e.

The new code consisted of 6, 7 or 8 digits and was usually stamped in green ink. An example of this type of neck code found on a Precision Bass is B. Then in , Fender changed to a new type of neck stamp which had 8-digits which was stamped in green or red ink. An example of this is found on a Jazz Bass. These codes can, in general, be deciphered as described in the March article. Since that article was written, however, a number of examples have been submitted to me that do not fit the aforementioned dating system.

Reading pot codes How to read pot codes, and what they mean An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone.

Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values. Many pots don’t carry all of this information, but the better quality guitars produced in America regularly do.

When dating an instrument by the ‘pot code,’ keep two things in mind: The potentiometers must be original to the piece (new solder, or a date code that is off by ten or more years is a good giveaway to spot replacement pots); and the pot code only indicates when the potentiometer was manufactured!

This guitar has a nice weight at well under 9 lbs: The neck has a comfortable 59 profile: This was used as a reference color guitar over the years, and has never left the Memphis factory since until now. This was a limited release guitar from The new Gibson ES in a Sunset Burst finish is designed with historic hollow-body features at heart. This impressive guitar incorporates modern enhancements like an ABR-1 bridge with titanium saddles, and a hand-wired MTC control assembly paired to our MHS P pickups with hum-canceling capabilities.

The plastic is still on the black pickguard. With an estimated 40 to 50 left-handed instruments built up to the late ‘s, the Duo-Jet is an extremely rare model in factory left-handed, and even more rare when considering it is a lefty Golden Era single-cut Duo-Jet! For a left handed vintage Strat, this is as rare as it gets! This is a factory original Left Handed Fender Strat in the ultra rare custom color finish: The letters are in a style that is typically seen on custom color finishes done by the Fender factory.

This is a Heritage , jazz box similar to an L This one has massive flame on top, bottom, sides, and neck.

Return to the Main Index. Sometimes there just isn’t enough information on electric instruments and amps to allow them to be properely dated. And many people ask me to try and determine the year of their old amplifier, or to help them with the year of their older off-brand electric guitar. Since I primarily collect amps by Fender, and guitars by Gibson, Fender, Martin, National, Epiphone, Gretsch and Rickenbacker, I really can’t help them with these other less popular brands.

As you have probably noticed, there is plenty of information here to help date the brands that I am interested in.

The Telecaster, Esquire, Precision Bass, etc, because of their metal knob configuration, used “smooth solid shaft” pots. Guitars with plastic knobs (Stratocaster, Jazzmaster, etc.) used “knurled split shaft” pots.

Four decades of guitars from Czechoslovakia. When I wrote my original article about Eastern European guitars [Guitars of the Cold War, Vintage Guitar Magazine, January ], I was still in the process of researching the roots of these instruments. In the first two installments, I had focused on Russia almost exclusively, though I did mention Jolana guitars briefly. Since then, a lot of new information has come to light, enough to dedicate this third installment of “Guitars Of The Cold War” exclusively to guitars built in Czechoslovakia.

This is their story. The Czech Republic has a rich musical instrument building heritage. The Bohemia region is renowned for string instrument manufacture. Some of the world’s best violins and cellos come from this part of the world. Amati of Kraslice has been in the instrument-manufacturing business for over years.

The company is one of the world’s largest brass and woodwind manufacturers and is known especially for the quality of their saxophones. There were over fifty different companies producing musical instruments in Czechoslovakia before World War II.

Standard telecaster wiring harness